Wu Hen is the sophomore album from Kamaal Williams - an invitation to elevate to a higher state. Cinematic strings from Miguel-Atwood Ferguson and virtuoso saxophone from Quinn Mason are textural additions that make for a deeper, multi-layered experience than previous releases.
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Bringing groove back to the forefront, Wu Hen oscillates between celestial jazz, funk, rap and r&b reinforced with the rugged beat-heavy attitude of grime, jungle, house and garage – a self-styled fusion Kamaal describes as Wu Funk.
The album’s title is also the nickname Henry’s grandma gave him as a child. The Taiwanese side of his family are originally from the Wu Dynasty, and the name Wu translates as ‘Gateway to Heaven'. On Wu Hen a path is traced from his lineage all the way to his current spiritual mission, which is also reflected in the cloudlike cover art by artist Othelo Gervacio.
However - like most people striving - and like the ancient Chinese concept of ying and yang, there’s a dualism, where seemingly opposite forces are at play, which despite a conflict can actually be complementary, with the two sides interconnected and interdependent.
| A1 | Street Dreams | |
| A2 | One More Time / 1989 | |
| A3 | Toulouse / Pigalle | |
| B1 | Big Rick / Save Me | |
| B2 | Mr. Wu | |
| B3 | Hold On | |
| B4 | Early Prayer |
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