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The Shining is the third studio album by American hip hop recording artist J Dilla, who died February 10, 2006. The Shining was incomplete at the time of J Dilla's passing and was posthumously completed. Discounting the instrumental album Donuts, The Shining was the first full-length solo release by J Dilla (featuring newly recorded vocals) since Welcome...
Delinquent Habits is the debut album by American hip hop group Delinquent Habits. It was released on June 4, 1996 by RCA (actually released on a subsidiary of RCA/Loud that was called PMP Records). Audio production of the entire album was handled by Alejandro "O.G. Style" Martinez, except for one track produced by Eric Bobo.
Ironman is the debut solo album by American rapper Ghostface Killah, released on October 29, 1996, by Epic Records. It was produced by fellow Wu-Tang Clan member RZA. The album's music draws prominently on blaxploitation films and soul samples. More so than on other solo debuts from the group's members, Ironman contains references to the Nation of Gods...
Only Built 4 Cuban Linx... is the solo debut album of American rapper and Wu-Tang Clan member Raekwon, released on August 1, 1995, by Loud Records and RCA Records. The album was loosely composed to play like a film with Raekwon as the "star," fellow Wu-Tang member Ghostface Killah as the "guest-star," and producer RZA as the "director."
Southernplayalisticadillacmuzik is the 1994 debut album of American hip hop duo OutKast. After befriending each other in 1992, rappers André 3000 and Big Boi pursued recording music as a duo and worked with production team Organized Noize, which led to their signing to LaFace Records.
Bizarre Ride II the Pharcyde is the debut album of American hip hop group The Pharcyde, released on November 24, 1992 through Delicious Vinyl Records. The album was produced by former group member J-Swift, and features only one guest appearance, provided by little known Los Angeles rapper Bucwheed (known then as "Buckwheat" from The Wascals).
The Infamous is the second studio album by the American hip hop duo Mobb Deep. It was released on April 25, 1995, by Loud Records. The album features guest appearances by Nas, Raekwon, Ghostface Killah, and Q-Tip, who also contributed to its production and mixing.
Stunts, Blunts & Hip Hop is the debut album from hip hop producer-emcee Diamond D, released on September 22, 1992. The album features some of the earliest appearances from Diamond's later D.I.T.C. partners Big L and Fat Joe, as well as his crew the Psychotic Neurotics.
No One Can Do It Better is the debut studio album by The D.O.C., released on August 1, 1989 by Ruthless Records, and Atlantic Records. This was the only solo album The D.O.C. was able to record before a car accident resulted in crushing his larynx. He would not release another album until 7 years later: Helter Skelter (1996).
Judgment Night is the soundtrack to the 1993 film of the same name. It was released on September 14, 1993 through Immortal Records and Epic Records and was produced by many of the album's performers. Every song on the soundtrack was a collaboration between hip-hop artists and rock artists.
Nervous Breakdown is the second and last studio album from American hip hop group Fu-Schnickens, released October 25, 1994 on Jive Records. The album peaked at number eighty-one on the Billboard 200 chart.
Brothas Doobie is the second album by the Los Angeles-based Latino rap group Funkdoobiest. It was released by Epic Records in July 4, 1995. This was the final album featuring back-up MC and hypeman Tomahawk Funk, who left the group after this release. The album contains the controversial track "Superhoes", which also appeared in the soundtrack to the film...
Here Come the Lords is the debut studio album by American hip hop group Lords of the Underground, released on March 30, 1993 by Pendulum and Elektra Records. It was produced by Marley Marl, K-Def and DJ Lord Jazz.
Return of the Boom Bap is KRS-One's first official solo album, released in 1993 on the Jive Records label. It peaked on the Billboard 200 charts at position 37 on October 16, 1993. In 1998, the album was selected as one of The Source's 100 Best Rap Albums. The record was originally rated 4 mics in The Source in 1993.
Let the Rhythm Hit ’Em is the third album by rap duo Eric B. & Rakim, released on June 19, 1990. The group's sound develops further, with Rakim adopting a deeper, more aggressive tone of voice, and more mature and serious subject matter. Musically, the production ranges from smoother soulful tracks such as "In the Ghetto" to the hard-edged assault of...
Don't Sweat the Technique is the fourth & final studio album by American hip hop duo Eric B. & Rakim, released on June 23, 1992, by MCA Records. It was recorded and produced by Eric B. & Rakim at The Hit Factory in New York City. The album builds on the sounds of 1990's Let the Rhythm Hit 'Em, with Rakim sounding more aggressive on Eric B.'s...
Dead Serious is the debut studio album of American hip hop duo Das EFX, released April 7, 1992 on compact disc and audio cassette on East West Records and distributed through Atlantic Records. Well-received upon its release, Dead Serious has since been regarded by music writers as a significant and influential album in hip hop.
Soul On Ice is the critically acclaimed debut album by West Coast emcee Ras Kass, released on October 1, 1996, under Priority Records. The album was produced by Ras Kass, as well as DJ Battlecat, Vooodu, Bird, Michael Barber, Michael Schlesinger, and Reno Delajuan. Fellow West Coast rapper Coolio makes the only guest appearance on the album on the song...
Midnight Marauders is the third studio album by American hip hop group A Tribe Called Quest, released on November 9, 1993, by Jive Records. A culmination of the group's two previous albums, it features an eclectic, gritty sound based on jazz, funk, soul and R&B samples, in addition to socially conscious, positive-minded and humorous lyrics.
Wrath of the Math is the second album by hip hop artist Jeru the Damaja. The album was completely produced by DJ Premier and continues the themes of Afrocentricity, preserving hip-hop culture, and more about the harms of materialism that were discussed on The Sun Rises in the East.
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