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This autumn will see the release of Blue Note Re:imagined; a brand-new collection of classic Blue Note tracks, reworked and newly recorded by a selection of the UK scene’s most exciting young talents. Blue Note boasts an illustrious catalogue that traces the entire history of jazz and the Re:imagined project features music originally created by some of...
Wu Hen is the sophomore album from Kamaal Williams - an invitation to elevate to a higher state. Cinematic strings from Miguel-Atwood Ferguson and virtuoso saxophone from Quinn Mason are textural additions that make for a deeper, multi-layered experience than previous releases.
Dean Martin was an American actor, singer and comedian. Martin established himself as a notable singer, recording numerous contemporary songs as well as standards from the Great American Songbook. He became one of the most popular acts in Las Vegas and was known for his friendship with fellow artists Frank Sinatra and Sammy Davis Jr., who together formed...
Sweetback is an English band composed of members from the band Sade, not including the frontwoman Sade Adu. They are a jazz/funk band with R&B overtones. Stuart Matthewman, Paul Denman and Andrew Hale had been recording with female vocalist Sade Adu since 1984. The group Sweetback formed in 1994 at the conclusion of Sade's Love Deluxe World Tour.
It’s not often we mention Jimi Hendrix and Trap music in the same sentence. Or Brixton and George Benson. In this case Mansur Brown embodies all of these. An integral part of the groundbreaking Yussef Kamaal album, he now releases his debut album on Black Focus Records. As Thundercat claims the Bass Guitar, Robert Glasper the keys, the 21 year old claims...
The Return is a natural evolution from the Yussef Kamaal project, mining the influence of visionary jazz but blended with all kinds of texture, sounds and signals from the over-saturated London streets. Notable tracks for old and new listeners are ‘Salaam', 'Situations', 'Medina', 'LDN Shuffle' which features Mansur Brown (of Mansur's Message).
Rush is the soundtrack album for the 1991 film of the same name. Written and performed by Eric Clapton, the soundtrack album includes the song "Tears in Heaven", which won three Grammy awards in 1993. In a review of the album, AllMusic Guide wrote: "This album has far more impact than you might expect from the score to a movie".
16 track compilation of mid-30's jazz / blues tracks form the criminally overlooked Valaida Snow.
The Dream of the Blue Turtles is the first solo album by English musician Sting, released in the United States on 1 June 1985. The album reached number three on the UK Albums Chart and number two on the US Billboard 200. The album earned Grammy nominations for Album of the Year, Best Male Pop Vocal Performance, Best Jazz Instrumental Performance and Best...
Influential jazz collective Idris Ackamoor and The Pyramids return with an epic new opus, ‘Shaman!’, released on 7th August featuring a fresh line-up including original 1970s Pyramids member Dr. Margaux Simmons on flute, Bobby Cobb on guitar, long-term associate Sandra Poindexter on violin, Ruben Ramos on bass, Gioele Pagliaccia on drums and Jack Yglesias...
Rainbow Blonde Records proudly releases the 10th Anniversary Edition of José James critically acclaimed sophomore album Blackmagic. Featuring lo-fi hip-hop production from legendary producers Flying Lotus, Moodymann and Taylor McFerrin, Blackmagic saw James embracing his role as “the Jazz singer for the hip-hop generation.”
Like a turbo-powered, intergalactic elevator ride, Manfredo Fest's Brazilian Dorian Dream builds on the principle of the modal diatonic scales of the Dorian mode, with influences of Brazilian rhythms, North American jazz and funk, and music of the European baroque and romantic era.
8:30 is the tenth album of the jazz fusion group Weather Report issued in 1979 by ARC/Columbia Records. The album rose to Nos. 3 & 47 on the Billboard Jazz Albums and Billboard 200 charts respectively. 8:30 also won a Grammy Award for Best Jazz Fusion Performance.
Joe Armon-Jones, the wildly-talented keys player returns with a luminous jazz-funk masterstroke - Turn To Clear View! Bass-heavy dub and contemporary club culture are the foundations for Joe Armon-Jones’ phenomenal second album.
Kokoroko are part of the thriving scene that’s grown out of London’s young, jazz-influenced musical circles. Led by bandleader Sheila Maurice-Grey, their self-titled EP is the group’s first solo release, following their early 2018 debut with ‘Abusey Junction’, a track that has gone on to accrue over 15 million plays on YouTube and 2.6 million on Spotify.
There’s something universal in the appeal of an escape – of finding somewhere to relax and explore your ideas. It’s a feeling which connects together the different parts of Maisha’s debut album. A deep record which provides grist for serious spiritual rumination, the music prompts internal reflection as much as it reflects the surrounds which shaped it.
Sunny Side Up is a heavy new compilation from Brownswood shines a light on the independent underground in Melbourne, where a close-knit collection of artists have taken cues from soul, jazz and club culture to carve out a fresh Melbournian sound. The record surveys the musical contours of this bubbling scene, nodding to house, broken beat, samba, p-funk...
Theodosii Spassov and Ivan Shopov have created a fertile music environment, generously and carefully nurtured by the piano of regular collaborator Dimitar Bodurov, whose work is to be found in most of the pieces. InFusion is a complex, multifaceted record that starts deceivingly calm and climaxes with beautiful and primal intensity.
The Sure Fire Soul Ensemble is a staple of the west cost soul/jazz/funk scene and with their third LP Build Bridges, they solidify their position. Heavy grooves and drums, with top tier musicianship and writing. Build Bridges is just as sophisticated as it is soulful and funky!
The Tender, the Moving, the Swinging is the third studio album by American singer Aretha Franklin, Released on August 13, 1962 by Columbia Records. It was her first album to achieve any commercial success, reaching #69 on the Billboard pop album charts. Unlike its predecessor, however, it did not have a hit single.
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