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Earth Rot is a 1970 album by David Axelrod. The tracks on side 1, "The Warnings", include lyrics adapted from the Book of Isaiah, while the songs on side 2, "The Signs", include lyrics adapted from "Song Of The Earth Spirit", a Navajo creation legend. Earth Rot is in effect a cantata for the planet.
A Journey Too Far builds on the success of Nostalgia 77’s last studio album, 2011’s The Sleepwalking Society, melding inspirations from the English folk and psychedelic scene to the ‘60s orchestral pop of Gainsbourg and Axelrod. A poetic, highly visual lyricism - touching here on love, familial ties, folklore and existential queries of disengagement and...
Porgy and Bess is a 1958 studio album by jazz vocalist and trumpeter Louis Armstrong and singer Ella Fitzgerald, collaborating on selections from George and Ira Gershwin's Porgy and Bess. The album is considered the most musically successful amongst the jazz vocal versions of the opera and was released to coincide with the 1959 movie version.
Ella and Louis Again is a 1957 studio album by Ella Fitzgerald and Louis Armstrong. It is the "sequel" to their 1956 album, Ella and Louis; in contrast to their previous collaboration, this album does not only feature duets.
In 1975, Polish jazz artist Michael Urbaniak created "Funk Factory"! This project cut from a one-off LP that captured a particular corner of the music-geek imagination for more than 40 years !Known for housing a famous "Beastie Boys - Car Thief" sample, the reissue of this 1975 funk and fusion classic brings peerless Polish and American players together...
Ernie Hawks releases his debut album "Scorpio Man" on Timmion Records. The impressive trombonist/flutist, is known to hold no punches, when performing live in the ranks of The Soul Investigators. Here he delivers a fierce selection of S.O.U.L. and Cymande flavored instrumentals that also bring to mind some of the finest sample-fodder library music.
Another great album from Daptone records ! "The Olympians" is a dramatic and cinematic journey to the outer limits of instrumental soul music, built on a foundation laid by the same craftsmen who’s bricks built the legacies of Sharon Jones, Lee Fields, Charles Bradley, The Budos Band, and Menahan Street Band, and painted with lush strings, harpsichord,...
The third in Strut’s "Inspiration Information" studio collaboration series brings together an intriguing pairing between one of Africa’s great bandleaders, Mulatu Astatke, with the next level musicianship of The Heliocentrics collective from the mighty roster of Stones Throw / Now Again.
"Unstraight Ahead" finds the band exploring territories even outside of the expansive scope of Sahara Swing. On this album, the West African sounds of Ghana and Mali meet the East African sounds of Mulatu Astatke’s Ethiopian jazz and are tied together with the groove heavy experimentalism of Karl Hector & The Malcouns’ 70s Krautrock godfathers: Can,...
Skalpel are nu jazz DJs and musicians, Marcin Cichy and Igor Pudlo, from Wroclaw in Poland. Their musical style is a distinctive blend of hip hop beats, laced with samples lifted from the rich seam of Polish jazz records of the 1960s and 1970s. Until now, that is, and the release of their debut album "Skalpel" by Ninja Tune.
Agogo Records present the new album "Nautiloid Quest" from Japanese trio Nautilus. NAUTILUS is a trio centered around drummer Toshiyuki Sasaki, formed in 2014 along with its Bassist Shigeki Umezawa and Keyboardist Daisuke Takeuchi. Their distinctive style, which can be summarized as the modern rare groove, embodies a mixture of jazz, funk, disco, soul and...
The Jazzinvaders is a project by Dutch nu-jazz and afrobeat musician Timothy van der Holst (aka Phil Martin) (drums/percussion) and two members of the jazz group The Houdini's, Rolf Delfos (horns/saxophone) and Erwin Hoorweg (piano/organ). Other members are Marius Beets (double bass), Tom Beek (saxophone) and Jan Van Duikeren (trumpet).
Strut Records present the first official reissue of a landmark album in the field of African music, Mulatu Astatke’s "Mulatu Of Ethiopia" from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz.
In May of 2011, Detroit-based rapper Elzhi released a mixtape entitled eLmatic, both as an homage to Nas’s original Illmatic and as a showcase of his own talent. The beats for this mixtape, which stay true to the originals from Illmatic, were recreated by Will Sessions.
Keeping with their commitment to not be pinned down to any particular genre comes Will Sessions’ latest LP, Kindred Live. The band, along with special guest Amp Fiddler on Fender Rhodes, synth and clavinet, pay tribute to the pioneers of jazz fusion by recreating the songs of genre-defining artists such as Miles Davis, Herbie Hancock and Weather Report.
Giant Steps is the fifth studio album by jazz musician John Coltrane as leader, released in 1960 on Atlantic Records, catalogue SD 1311. This would be the first album as leader for his new label Atlantic Records. Many of its tracks have become practice templates for jazz saxophonists.
Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9/8, 6/4 and 5/4. The album is a subtle blend of cool and West Coast jazz. It peaked at No. 2 on the...
City Life is the third studio album by the American rhythm and blues and jazz-funk fusion group The Blackbyrds. It was produced by Donald Byrd and includes the R&B hits, "Happy Music" and "Rock Creek Park."
Unforgettable is an original jazz compilation by Nat King Cole. It was initially released on a 10 inch LP in 1952, and it was reissued on a 12 inch LP in 1954.
Lady in Satin is an album by jazz singer Billie Holiday released in 1958 on Columbia Records, catalogue CL 1157 in mono and CS 8048 in stereo. It is the penultimate album completed by the singer and last released in her lifetime (her final album, Last Recording, being recorded in March 1959 and released just after her death).
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